review
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Throwback Review 10/10 *Part of our throwback album review series. Looking back now, The Clearing feels like the album where Wolf Alice stopped trying to prove themselves to anybody. By the time the record arrived in 2025, the band had already survived the strange modern trajectory from indie darlings to Mercury Prize winners to one…
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8/10 There is something quietly cinematic about “Darlin’”, the new release from Irish collective AINM, but not in the overly polished or self-conscious way that term often gets thrown around. Instead, the track feels expansive because it understands atmosphere. It understands restraint. It allows space to exist between the notes. Originally beginning life as a…
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Caro Claire Burke’s Yesteryear feels perfectly calibrated for this cultural moment. A novel obsessed with nostalgia, memory and reinvention, it interrogates why modern society remains so addicted to romanticising the past. Part literary fiction, part cultural critique, the novel has already generated enormous attention ahead of its forthcoming film adaptation starring Anne Hathaway, who is…
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8/10 Daði Freyr has always occupied a curious space in modern pop. Too eccentric to be conventional chart-pop, too emotionally sincere to be dismissed as novelty, and too musically sharp to fade into the endless algorithmic sludge currently swallowing the genre whole. Like many others, you may have first discovered Daði in 2020 with his…
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Our Rating 8/10 There is a quiet precision to Ailbhe Reddy’s Kiss Big that sets it apart from much of the current indie landscape. It does not compete for attention. It earns it gradually. The record is built on restraint. Arrangements are deliberately minimal, allowing space for both vocal delivery and lyrical detail to carry…
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With Waxing | Waning, Taupe reject almost every convention currently driving music consumption. This is not a record built for ease. It is built for friction. Operating somewhere between jazz, noise, experimental rock, and improvisational structure, the album refuses stable ground. Tracks shift direction without warning. Rhythms dissolve and reassemble. Melodic ideas appear briefly before…
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Our Rating: 10/10 There is a fine line between evolution and repetition in pop, and Olivia Rodrigo has spent the last few years walking it carefully. “Drop Dead” lands as a calculated step forward, not a reinvention, but a tightening of what already works. At surface level, the track holds all the hallmarks of her…
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There is a particular kind of pop song that does not just arrive; it carries people with it. With “So Long, Solo”, Collette Brady-McEntee steps firmly into that space. Written within a collaborative songwriting environment and shaped by the hands of experienced writers, the track holds both scale and substance. It is built on connection,…
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Our Rating 7/10 There’s a point in an artist’s career where the question shifts. It stops being about how big they can go and starts being about what they choose to hold onto once they’ve already been there. The Weight of the Woods sits right in that space. This is Dermot Kennedy pulling everything inward.…
The Industry Review 