reviews
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Our Rating 7/10 There’s a point in an artist’s career where the question shifts. It stops being about how big they can go and starts being about what they choose to hold onto once they’ve already been there. The Weight of the Woods sits right in that space. This is Dermot Kennedy pulling everything inward.…
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Our Rating 10/10 Some songs arrive loudly, demanding attention. Others move differently. “Intimacy” doesn’t push its way in. It draws you closer, slowly, until you realise you’ve stepped into something far more exposed than expected. This is Loah working with intent and control. The production is stripped back but deliberate, built around space rather than…
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Our Rating: 8/10 “Body” knows exactly what it’s trying to do, and to its credit, it commits. Built on a fluid Afro Fusion foundation, the track leans into rhythm as its driving force. There’s a physicality to it that makes sense once you understand Mighty Koba’s approach. This is music designed to move first and…
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Our Rating: 10/10 “I Like Her” is built on instinct. You can hear that immediately. There’s a looseness to it that comes from its origin as a freestyle. The melody sits naturally, the hook is simple but effective, and the rhythm carries that familiar Afrobeat pulse that makes the track easy to fall into. It’s…
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Our Rating: 7/10 “Battle Chatter” positions itself as a moment of reclamation, not collapse. That much is clear from the first listen. Built on a dark pop foundation with trip-hop undercurrents, the track moves with a slow, deliberate pulse. It doesn’t rush. It doesn’t explode. Instead, it builds a kind of controlled intensity that mirrors…
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Our Rating: 7/10 There’s a quiet confidence to “Homegirl” that doesn’t shout for attention, and that’s both its strength and its limitation. Built around warm acoustic guitar, soft harmonies and that lightly percussive xylophone line, the track leans fully into a kind of storybook folk aesthetic. It’s gentle, melodic, and intentionally small in scale. You…
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I recently watched Louis Theroux: Inside The Manosphere and honestly, it’s less a documentary and more an autopsy, not of masculinity, but of what happens when insecurity gets monetised and handed a microphone. It lays bare the social rot that parts of the internet have become, not chaotic but corrosive, engineered even, a space where…
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A new UK Music report titled “Black Music Means Business” quantifies what has long been understood but rarely measured: Black music is not a category within the UK industry; it is the foundation of it. The data now makes that impossible to ignore. This report proves that Black music isn’t just a category—it accounts for…
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Our Rating: 10/10 From the opening line, “Take a look at the world today; we have got to find a better way,” this track lands exactly where it needs to. It is as emotional as it is liberating. And when that line keeps coming back, it doesn’t feel repetitive; it feels absolutely necessary. Because we…
The Industry Review 